About Jill Khoury
Jill Khoury is interested in the intersection of poetry, visual art, representations of gender, and disability. She holds an MFA from The Ohio State University. Her poems have appeared or are forthcoming in numerous journals, including Arsenic Lobster, Copper Nickel, Inter|rupture, and Portland Review. She edits Rogue Agent, a journal of embodied poetry and art. Her chapbook Borrowed Bodies was released from Pudding House Press in 2009. Her first full-length collection, Suites for the Modern Dancer, is forthcoming from Sundress Publications in 2016. You can find her at jillkhoury.com.
“The Entire City” (1934) Max Ernst
Turncoat Erotica
after Kurt Weston’s Reticulation
I swallowed broken
glass to get here.
[Here is subjective.]
What I mean is
I rubbed vaseline
over my torso and scraped
myself along asphalt
to forget you.
After that I was pebbled,
gelid, licked. I can breathe
under water; love me.
Anhedonia
The sun lowers itself
through a chemical cloudstack
faster than my rate of breathing.
Light drips across the mouths
of angel statues. Sloughs off
the backs of dead war heroes.
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